It's often difficult to know if the script is genius, or if sublime acting is just carrying it through. But it's not hard to know when it goes right and in Bridge of Spies, there's evidence of the two working in perfect unison. There's a certain restraint that comes with writing scripts which we as… Continue reading When good writing meets good acting
I recently finished reading The Monogram Murders by Sophie Hannah. If you don't know, this is Sophie Hannah taking on the continuation novels of Agatha Christie's beloved Belgian detective, Hercule Poirot. Approved by the Christie Estate and written by a very talent crime novelist who I had the chance to meet at Swanwick Summer Writing School.… Continue reading Never underestimate… the Watsons
Spoilers ahead for several movies so beware! Ellen Ripley from the Alien movies (by Sigourney Weaver) Ellen Ripley is probably one of my favourite characters of all times and is one of the first true kickass heroines. It's perhaps unfortunate that the reason for this is Ripley was originally written as a man. But I think… Continue reading Top 10# Female Heroes of Movies
Fiction is written by us. And what we like to see, what we cling to, is the sense that the universe will eventually fix everything. Whether that’s a god, fate or narrative causality, bad people get their comeuppance and good people get rewarded. And when we see terrible characters undergo terrible deaths, it’s okay, even… Continue reading Are your characters victims or dodgers of karmic justice?
I briefly spoke about the Bechdel–Wallace test in my post about complex and powerful female characters, which you can read here. But as it's such an interesting idea, I wanted to talk about it in depth. The Bechdel–Wallace test was created by the American cartoonist Alison Bechdel. It first appeared in 1985 in her comic strip Dykes to Watch Out For. Basically… Continue reading The Bechdel–Wallace test and how it can help us
This is a post I'd been working on for about two weeks before the new Doctor was announced, which I wrote about last week. I bumped up this post today as I think it ties in well about our changing view of female characters. Strong female characters, or the lack thereof, has been a hot… Continue reading STRONG female characters? How about we just write better.
Flashbacks and flashforwards. Why, what did you think I meant? Flashbacks and flashforwards have become a significant part of the language of modern fiction. I hadn't thought too much about until this weekend when I saw the Guardian article Bad memories: Colm Tóibín urges authors to lose the flashbacks. At the Hay Festival last weekend, Colm Tóibín,… Continue reading Is there too much flashing in modern literature?
Some of you out there may be Dinsey nuts. Some of you may be Dinsey haters. Some may think Disney is for children, some of you may have had Disney themed weddings. But regardless, Disney is important, shaping the minds of children. And since 1937 with 'Snow White and the Seven Dwarfs' it has been… Continue reading Moana: could she be the best Disney princess?
I've been creating stories for as long as I can remember. As a child, I would borrow my father's video camera and tell stories, often with props but always bossing around my younger sister (aka the lead actress and stagehand) and my impressive range of made up words like 'blustery-er'. It wasn't until I was eleven… Continue reading I’m going to start a blog. How hard can it be?