John Finnemore is one of the best comedy writers currently working. He mostly writes for radio and created Cabin Pressure, John Finnemore's Souvenir Programme, and Double Acts. His true talent is one all good writers should aspire to; he invites you to listen to his story, holds your attention for as long as he's asked… Continue reading John Finnemore, the spinner of tales
This is a post I'd been working on for about two weeks before the new Doctor was announced, which I wrote about last week. I bumped up this post today as I think it ties in well about our changing view of female characters. Strong female characters, or the lack thereof, has been a hot… Continue reading STRONG female characters? How about we just write better.
I'd be the first to say I'm a naturally apologetic person. I tend to apologise that I'm so apologetic. I'm the person who apologises when someone steps on my foot on the tube. And I don't think there's anything wrong with that, but I've come to realise that it's killing my writing. Everything I wrote… Continue reading Cast off your crutches
This has happened to me and I'm sure it's happened to you. Let's say you've been to see a movie and now you're walking home. The movie was okay, maybe even great! But there was some missing piece which is starting to bug you. 'Well, how did the McGuffin work?' or, 'But why did the… Continue reading Harnessing the Completion Principle to enthral and annoy your readers
Does anyone find that they the story, but not necessarily the book? Those occasions where a story transcends its source material to take on a life of its own. Perhaps you like West Side Story, but you’d never read Shakespeare’s Romeo and Juliet. Perhaps you love Bridget Jones’s Diary, but would never read Jane Austen's… Continue reading Not all Classics are created equal